Murray Moss & Franklin Getchell · A Scrapbook

From the vitrine

The objects that made the store, and the store that made the objects.

Museum plates for the pieces MOSS sold, commissioned, or turned into legend — chosen for being iconic, record-setting, or zeitgeist-shaping. Presented, of course, as if crown jewels. Please do not touch.

Plate I

Where There's Smoke… (series)

Maarten Baas · burnt oak, epoxy · 2004 · commissioned for MOSS

The defining MOSS commission: a 25-year-old Dutch graduate's furniture, literally set on fire and preserved mid-char. Murray saw it in Paris and had the solo show open within two months, during ICFF. It made Baas's career and fixed MOSS's reputation as the place that discovered tomorrow. Baas calls the show his "space shuttle launch platform." A Smoke desk still sits in Murray's study at Torpedo House.

Zeitgeist

Commissioned

Career-making

Baas's own account — Design Miami/

Plate II

Panda Pob Chair

Fernando & Humberto Campana · plush toy and steel · 2000s

Stuffed pandas welded into an armchair: the Campana brothers' stuffed-animal zoo was peak MOSS — sentimental materials treated with museum gravity. The Campanas built MOSS's 2005 gallery's signature focal wall of pieced wood fragments, were put up at the Chelsea Hotel "to contaminate us with the crazy atmosphere of New York," and showed the Panda Chair glowing in the shop window in 2007.

Iconic

Exhibition

Design Miami/, What MOSS Means to Me

Plate III

Homework: Pinocchio

Studio Job · created exclusively for MOSS · 2007

Job Smeets and Nynke Tynagel's bronze, fairytale-gothic cabinet pieces were made expressly for MOSS, which championed them early in America. A Homework coffee-tin sculpture now lives at Torpedo House, and a Studio Job bronze stands in the dining room — culinary art for the men who never cook.

Commissioned

Iconic

Design Miami/ vetted profile

Plate IV

Nymphenburg & Meissen porcelain program

Porzellan Manufaktur Nymphenburg · Munich · sold at MOSS from the 2000s

Murray's favorite studio visit on earth: the Bavarian manufactory where porcelain is still painted entirely by one artist — "white gold." Putting 300-year-old-technique porcelain beside plastic bottle openers "caused trouble," he admits: shoppers didn't know which criteria to judge by. That confusion was the entire point. The bisque Jack Daw still watches over Torpedo House.

Zeitgeist

High/low provocation

Upstate Diary interview

Plate V

Jongerius at MOSS

Hella Jongerius · Soft Urn (rubber, 1993) · Long Neck & Groove bottles (2000) · monumental floor vase (2002–06)

MOSS gave Jongerius some of her earliest American exposure — including hand-built ceramic vases produced exclusively for the store, one of which dominates Murray and Franklin's foyer. Her verdict on what Murray did for her career: "life-changing." The embroidered porcelain bowl and jug sit on their dining table today.

Exclusive editions

Career-making

Design Miami/, What MOSS Means to Me

Plate VI

Gun Lamps, signed in-store

Philippe Starck · lamp · signed at MOSS · 2005

Starck personally signing his Gun Lamps in the shop — a 2005 moment that captured MOSS's blend of retail, performance, and provocation. The store didn't just sell design; it staged its makers.

Event

Photo © Franklin Getchell via Design Miami/

Plate VII

Sottsass, Colombo & the "little gorgeous things"

Ettore Sottsass · Joe Colombo Birillo stools and ashtrays · 1960s–2000s

The founding inventory: Sottsass ceramics (including the infamous ones), Colombo ashtrays, fetish soaps shaped like the Venus of Willendorf — arranged behind glass like relics. Franklin's four Joe Colombo Birillo stools, all that remains of the Centovini restaurant, still cameo in his Zoom background six decades after they were designed.

Founding inventory

Architectural Digest · Design Miami/

Plate VIII

Lobmeyr, Baccarat & Moser glass

J. & L. Lobmeyr · Baccarat · Moser · mouth-blown crystal

Mouth-blown Lobmeyr glassware shelved beside Vitsoe 606 shelving by Dieter Rams — former MOSS specialist Brent Dzekciorius recalls handling them in the same afternoon as Gaetano Pesce arriving with works "in his Santa sack." The Baccarat book followed in 2013; the crystal collection survives intact at Torpedo House.

Connoisseurship

Dzekciorius, Design Miami/ · 1stDibs

Plate IX

Baby Grande Flambe

Maarten Baas · burnt clay · opened MOSS Los Angeles · 2007

Baas's Grandfather clock rendered as flame — the literal opening act for MOSS LA on Melrose Avenue in 2007. A clock that is permanently exploding: no object better summarizes the store's ability to make function and catastrophe coexist beautifully.

Iconic

Photo © Franklin Getchell via Design Miami/

Plate X

Kuramata, Morrison & the masters at home

Shiro Kuramata Nara table (1983) · Jasper Morrison Low Pad chair (1999) · Tobia Scarpa Biagio lamp (1968) · Osvaldo Borsani P40 lounge (1957)

The canon Murray lived with: Kuramata's terrazzo Nara table in the bedroom, Morrison's Low Pad, Scarpa's marble Biagio lamp, and the Borsani P40 Murray sits in for interviews — proof that the dealer took his own curatorial advice. Everything, at Torpedo House, has a price on it. Nothing may be touched.

Private canon

Upstate Diary · 1stDibs

“By presenting teapots and lamps as if they were crown jewels, Moss elevated design to the lofty perch of fine art.” Mayer Rus, Architectural Digest, April 2018

A note on methodology: this page privileges documented iconography — exhibitions, commissions, and pieces with published provenance — over raw auction prices. Where a piece is best known for its price or cultural shock rather than its maker, the badge says so. Corrections and additions are welcome; see the Archive for every source used.